The Writing of Fiction

"These considerations have led straight to the great, the central, matter of subject; and inextricably interwoven with it are the subsidiary points of form and style, both of which ought, as it were, to spring naturally out of the particular theme chosen for representation.

Form might perhaps, for present purposes, be defined as the order, in time and importance, in which the incidents of the narrative are grouped; and style as the way in which they are presented, not only in the narrower sense of language, but also, and rather, as they are grasped and coloured by their medium, the narrator's mind, and given back in his words. It is the quality of the medium which gives these incidents their quality; style, in this sense, is the most personal ingredient in the combination of things out of which any work of art is made. Words are the exterior symbols of thought, and it is only by their exact use that the writer can keep on his subject the close and patient hold which "fishes the murex up," and steeps his creation in unfading colours."